The House with a Clock in Its Walls, by John Bellairs, is the first book in his Lewis Barnavelt series of gothic horror novels for young readers.
Orphaned when his parents are killed in an auto accident, ten-year-old Lewis comes to live with his Uncle Jonathan, in New Zebedee, Michigan in 1948. Lewis is lonely, frightened, nervous about meeting his unknown relative, and worried about what his future holds:
It seemed to Lewis that all he could think of these days were questions: Where am I going? Who will I meet? Will I like them? What will happen to me? [p. 4]
This could be the beginning of any number of orphaned-children novels. But Lewis’ Uncle Jonathan turns out to be a wizard – the scandalous black sheep of the family. And the story soon takes a unique and uncanny turn: Together with neighbor Florence Zimmermann (who just happens to be a witch), Lewis and his uncle must locate a magic clock hidden somewhere in Jonathan’s spooky mansion, before it destroys the world.
The clock was the handiwork of Isaac Izard, an evil warlock who was the original owner of Uncle Jonathan’s house. Izard practiced black magic and lived a hermetic existence there in the mansion along with his wife Selenna until her mysterious death. Isaac himself died shortly after that, one night during a wild thunderstorm. And though no one understands why he did it, Izard devised a clock that would bring about the end of the world and hid it somewhere in the walls of the house. Now every night Lewis and his uncle search for the clock while they hear it ticking off the minutes leading up to doomsday.
Bellairs’ story is decidedly creepy, but also whimsical and endearing. Uncle Jonathan’s house has some very surprising characteristics – such as stained glass windows with pictures that change without notice. And a secret passageway that leads to Mrs. Zimmermann’s house next door. And Jonathan and Florence are constantly engaged in good-natured bickering, and delight in addressing each other with pet names like “Hag Face,” “Frizzy Wig,” and “Weird Beard.”
Lewis is portrayed as a very real boy, with a real child’s insecurities and fears, forced to deal with very exotic and peculiar and even perilous situations. His desperate struggle to maintain an unlikely friendship with a popular boy in his class at school serves as the main mechanism for some of the most dangerous action in the book. And although he’s certainly instrumental in the effort to destroy the forces of evil, he’s not portrayed as a superhero. In the end, he’s content to sit around a bonfire with his uncle and Mrs. Zimmermann, drinking cocoa and eating chocolate chip cookies. Of course, the bonfire eventually turns into a jack-o-lantern, with a scowling orange face – but then, Uncle Jonathan is a wizard, after all.
This was my introduction to John Bellairs and Lewis Barnavelt, and I’d definitely like to read more titles in the series. I loved the eccentric characters and bizarre storyline. And Edward Gorey’s illustrations were a special treat, and a perfect match for Bellairs’ mix of ordinary everyday action with a supernatural element. It all combines to make The House with a Clock in Its Walls a delightful experience for readers of all ages.